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Photo via Pixels Welcome back to our guest blogger, Abby Holt. In this post she will be sharing stategies on how creatives can refocus their inspiration. You may also want to visit Abby at Craftability, created to inspire your own crafting abilities to good use, whether it's painting, jewelry-making, quilting, or calligraphy. Embarking on a creative journey requires more than just talent – it also demands the continuous pursuit of inspiration and artistic growth. In a world saturated with fleeting trends and information overload, rekindling and maintaining your creative spark are essential. Today, Sharon Olvera Design explores various strategies to enhance your creativity, offering practical tips to not only reignite your passion but also to sustain and nurture it over time. Explore Artistic Adversity Engaging with different art forms can stimulate new creative insights. Whether through painting, music, or digital media, each medium offers unique expressions of creativity. This diversity encourages cross-pollination of ideas and techniques, leading to richer, more innovative artistic work. Experimenting across disciplines broadens your artistic skill set and opens up new possibilities for creative exploration. Get a degree. One way to broaden your prospects as a creative is by going back to school. Online degree programs in particular are perfect for you because they let you work remotely on your own time, without forcing you to operate on a restrictive schedule or step away from your other responsibilities. There are fields of study to choose from, as well. For example, if you’d like to learn more about psychology, consider this option. This will give you an inside look into the human mind, which could inspire you and give you an advantage over other creatives while also helping to make you more conscious of the creative process. Embrace Inquisitiveness Dive into the world of curiosity to fuel your creativity. Constant questioning and exploration of new concepts can lead to unexpected discoveries and innovative solutions. This approach not only enhances your understanding but also enriches your artistic output, making each creation a reflection of a deeply inquisitive mind. Cultivating an environment where curiosity is nurtured allows you to continuously evolve and refine your creative practice. Broaden Your Literary Horizons Reading across diverse genres and subjects can significantly expand your creative landscape. Each narrative provides unique insights and perspectives, enriching your pool of ideas. This habit not only enhances your knowledge but also stimulates imaginative thinking, essential for creative breakthroughs. Immersing yourself in a variety of literary worlds can unlock new avenues for creative expression, inspiring fresh ideas and themes. Reflective Journey Reflecting on personal experiences can deepen your creative insight. Analyzing these moments allows you to draw from a vast well of emotions and memories, infusing your work with authenticity and depth. This introspective process can transform ordinary observations into extraordinary creative expressions. It helps to establish a personal narrative that resonates with others, adding a layer of connection to your creative endeavors. Cultivate Creative Sanctuaries Creating a space dedicated to your artistry can significantly enhance your creative flow. This environment should be tailored to stimulate your senses and inspire your work, free from distractions and interruptions. A personal sanctuary can become the birthplace of your most innovative and focused creative endeavors. Such spaces are essential for nurturing the concentration needed to produce work that is both meaningful and impactful. The Art of Risk-Taking Embracing risk in your creative process can lead to groundbreaking discoveries. Venturing beyond familiar boundaries allows for the exploration of uncharted territories, fostering a culture of innovation and boldness in your artistic practice. This mindset can transform fear of the unknown into exciting creative opportunities. Taking risks encourages personal growth and can lead to a unique artistic voice that sets your work apart. Unleash Creativity Through Writing Free writing is a powerful method for uncovering hidden thoughts and ideas. By writing without inhibition, you can tap into your subconscious, unlocking a wealth of creative concepts and narratives. This process not only liberates your mind but also provides a rich source of material for future artistic projects. Continual engagement in free writing can refine your voice and expand your narrative capabilities, enriching your overall creative expression. Adopting these practices can significantly boost your creative energy and capacity for innovation. By fostering a culture of curiosity, embracing diversity in art forms, and leveraging new technologies, you can enhance your ability to create and express in novel and impactful ways, leading to a fulfilling and thriving creative life. Sharon Olvera of Sharon Olvera Design is a mixed media artist with a great deal of experience working in various mediums. Click here if you have any questions!

Original Print (Golgotha) by Sharon Olvera Art has always been a powerful form of human expression, allowing us to convey emotions, thoughts, and ideas that words alone may struggle to capture. When combined with faith, art takes on a unique dimension, becoming a conduit for spiritual reflection and a means to deepen our connection with the divine. In this post, we delve into the profound intersection of faith and mixed media art, exploring how artists infuse their beliefs into their creations and how the creative process itself can become an act of worship. Mixed media art, with its myriad of textures, colors, and materials, provides a fertile canvas for artists to translate their faith into tangible form. From biblical narratives to personal spiritual experiences, artists use mixed media techniques to bring their beliefs to life. The layering of materials mirrors the layers of spiritual meaning, revealing deeper truths beneath the surface. In the realm of faith, symbols hold immense significance. Mixed media art offers a rich playground for artists to incorporate symbols that resonate with their spiritual journey. Whether it's a cross, a lotus flower, or a star of David, these symbols serve as visual anchors that communicate profound messages of hope, redemption, and connection to the sacred or holy. Texture, an integral part of mixed media art, becomes a metaphor for the nuanced experience of spirituality. Just as faith is textured by moments of struggle and serenity, artists use texture to evoke a sensory experience that mirrors the ebb and flow of their spiritual journey. The tactile nature of mixed media draws viewers into a multidimensional encounter that mirrors their own quest for meaning. Faith often deals with the unseen and the intangible. Mixed media art, with its combination of materials and techniques, becomes a bridge between the visible and the invisible realms. The juxtaposition of elements invites viewers to engage in a dialogue between the concrete and the abstract, inviting them to contemplate the mysteries of existence. The act of creating mixed media art can become an act of devotion and prayer. As artists invest time, care, and intention into each layer, stroke, and embellishment, they engage in a process that mirrors the devotion they hold for their faith. The rhythm of creation becomes a meditative practice that fosters connection with the holy source of inspiration. Check out a technique called intuitive painting. One person has said that while she could be wrong, it is possible we are in the middle of the Intuitive Art movement now. Art, at its core, is a language of the soul. Mixed media art, infused with faith, speaks a language that transcends cultural barriers and theological differences. It communicates in the realm of emotion, inviting viewers to feel and experience the artists connection to the holy in a way that words may not achieve. The connection between faith and mixed media art is a profound journey that navigates the depths of the human spirit and the mysteries of the holy. Noted in one article on faith and art, it was pointed out that while some may have stopped attending church or painting traditional religious works, they still try to create meaning and depth in their work. (My paraphrase). Through layers of symbolism, texture and intention, artists use their creations to share their beliefs, their questions, and their experiences of the sacred. As viewers engage with these artworks, they are invited to embark on their own spiritual exploration, finding resonance and inspiration in the visual language of faith. Just as faith itself is a deeply personal and evolving journey, so too is the relationship between mixed media art and the expressions of the soul.

Sometimes when I sit down to do a piece of new work, I try to wing it. Sometimes that works, but not always. Even if I am trying to be spontaneous, the project requires some basic skills and planning. So how can we be reasonably sure that when sitting down to do some art, it will turn into a surprisingly beautiful and intriguing piece worthy of the time we put into it? It is said mixed media art is a captivating and versatile form of artistic expression allowing you to combine a wide range of materials to create unique and visually stunning pieces. When done effectively, mixing media can elevate your artwork to new heights, providing depth, texture, and complexity. In this guide, we'll explore how to combine different art materials effectively in a mixed media piece. Start with a Vision: Before diving into your mixed media project, it's essential to have a clear vision of what you want to create. For instance, I have a long term vision for a larger project that includes many parts, steps, and techniques to bring about the finished artwork. I think of my Bible Pantry project here. Think about the emotions, themes, or stories you want to convey through your artwork . Again, one of the things I want to accomplish in my Bible Pantry project is to bring the scriptures alive in a new way. Having a vision will help you choose the right materials and techniques to achieve your desired outcome. Select your materials wisely: One of the joys of mixed media is the vast array of materials at your disposal. Common materials include acrylic paints, watercolors, colored pencils, charcoal, ink, fabric, found objects, and paper. Again, as an example, some collected or found objects in my planned project will be used food cans. Another material under consideration is pages from an old Bible. Of course, that ultimately depends on how one views scripture and what is holy about it and what is common - entirely in the eyes of the beholder or maker. The point is to choose materials that complement each other and align with your artistic vision. Experiment with texture: Texture adds depth and visual interest to your artwork. Incorporate different textures by using materials like textured paper, sand, modeling paste, or even textiles. In one artwork of mine, I used hot glue to make some interesting designs that became an integral part of the piece. Feel free to look at the image in my portfolio. It's name is Soul Fisher. Experiment with layering and building up texture to create a tactile experience for the viewer. Understand layering techniques: Layering is a fundamental aspect of mixed media art. Begin with a base layer, which can be a canvas, paper, or wood panel. Build upon this foundation by adding layers of different materials. Use adhesive mediums like gel medium or modpodge to secure your layers. Consider transparency and opacity when layering to create depth and complexity. I have several pieces where I have practiced the layering technique to where even in a photo of the artwork, it looks like you should be able to feel the texture and layers right in front of you! That is the flavor of mixed media art!❤️ Play with Contrast: Contrast is a powerful tool in mixed media. Combine materials with contrasting qualities, such as rough and smooth, matte and glossy, or opaque and transparent. Contrasting elements will draw the viewers eye and add visual intrigue. Balance Composition: I remember once when someone looked at my scrapbook pages and commented on the geometry of it. I never thought of math concepts being part of a scrapbook page layout, but geometry is a concept built into art. Another word for it would be composition. Pay attention to the composition of your artwork. Balance the placement of different materials and elements to create a harmonious and visually pleasing composition. Consider the rule of thirds, focal points, and negative space. Sometimes less is more. On occasion I have also been told that my artwork is very busy. Of course, they meant that in a good way. The work still spoke, but was not in a way preferred by the viewer. To each his own.😄. Embrace Collage: Collage is actually a common technique in mixed media art, allowing you to incorporate images, text, and other elements into your artwork. Some elements you might consider in your artwork are old magazines, photographs, or your own drawings to add depth and meaning to your piece. An example of this is an artwork I call On Eagles Wings, a piece that is part of my Americana collection. I used a drawing of an eagle I made, incorporating it into the larger picture of my mixed media piece. Use Color Thoughtfully: Color plays a vital role in mixed media art. Create a cohesive color palette that supports your artistic vision. Consider the emotional impact of different colors and how they interact when combined. For instance, say you need to work with a restricted palette of greens? So everything needs to be green. Green paints in a couple different colors, a piece of fiber in a green, pastels, crayons and so forth. Challenge yourself to come up with a piece of work incorporating those colors in different textures to come up with something unique. Or it could be a couple colors. I have done this with blues and yellows, black and white, or orange and brown. Another tool to help if you struggle with color combinations is to invest in a color wheel and just experiment. Experiment and Repeat: Be courageous and experiment with different combinations of materials and techniques. Sometimes the most unexpected combinations lead to the most exciting results. Keep a sketchbook or journal to document your experiments and ideas. One practice I have seen with mixed media and scrapbooking that I have occasionally kept is writing down a list of the elements and techniques that went into the artwork. I have seen it a lot, especially in how-to books. There are other times I realized I had not written down the specifics and wished I had, as it left me guessing exactly what I did, several years later. 😆. Seal and protect your artwork: One day my aunt asks what I used to protect my artwork once it was finished. I learned from her the need to protect your work and started purchasing appropriate varnishes for my projects. Once your mixed media piece is complete, protect it with an appropriate sealant or varnish. This will preserve your artwork and enhance its longevity. A few types of varnishes and sealants are as follows: Acrylic Varnish: This varnish type is versatile and works well for most mixed media projects, especially those that incorporate acrylic paints. It provides a clear, glossy, or matte finish, depending on your preference. It's often available in spray or brush-on forms. Mod Podge: This is a popular adhesive and sealant used in collage-based mixed media art. It's available in various finishes, including matte, glossy, and satin. It dries clear and is ideal for adhering paper elements and sealing the entire piece. UV-Protective Varnish: If you want to protect your artwork from fading due to UV exposure, consider using a UV protective varnish. These varnishes have additives that shield your art from ultraviolet rays. Personally these are my favorite varnishes. I often use Krylon Gallery Series 1378 Matte for protecting my own work. Resin: Epoxy resin is an option for achieving a high-gloss finish and adding depth to your mixed media piece. I have used this for projects like when adding images to coasters used to set hot mugs of liquid on. The resin is often poured onto the surface of the artwork and allowed to cure. I remember it took a couple days at least for this part of my project. Resin can be a bit more complex to work with, so follow the manufacturer's instructions carefully. Gel Medium: Gel medium can serve both as an adhesive and a sealant. It's commonly used to attach and protect collage elements in mixed media art. It dries clear and can be applied with a brush or palette knife. Fixative Spray: If your artwork includes charcoal, pastels, or other delicate materials, using a fixative spray can help set these materials and prevent smudging. Fixatives are available in workable and final forms, with varying levels of protection. I have used such a spray to protect my drawings. Matte Medium: If you prefer a matte finish, matte medium can be used as a sealant for your mixed media piece. It provides a non-glossy, protective layer. Wax Medium: Some artists use wax-based sealants, like encaustic wax, to add a unique texture and finish to their mixed media art. Beeswax and soy wax are common choices. Before applying a varnish or sealant, it's important to ensure that your artwork is fully dry and clean. Additionally, read and follow the manufacturer's instructions for the chosen product. Application methods and drying times can vary. Always conduct a test on a small, inconspicuous area of your artwork to ensure compatibility and the desired result before applying it to the entire piece. Mastering the art of combining different art materials in a mixed media piece is a journey of creativity and self-expression. By starting with a clear vision, carefully selecting materials, and experimenting with various techniques, you can create captivating and unique artworks that tell your story and captivate viewers. So, embrace the freedom of mixed media and let your imagination run wild. Your artistic journey awaits!

Congratulations on acquiring a stunning encaustic mixed media painting! Encaustic art is a captivating and unique medium that combines the beauty of beeswax and pigments, creating a mesmerizing texture and depth. To ensure your investment stands the test of time, proper care is essential. In this blog post, we'll guide you through the art of caring for your purchased encaustic mixed media painting. Display with Consideration Selecting the perfect spot to display your encaustic artwork is crucial. Avoid placing it in direct sunlight or near heat sources like radiators or fireplaces. Extreme temperatures can compromise the wax surface and cause the pigments to fade. Instead, choose a location that has moderate lighting and a stable temperature to protect the painting's integrity. Handle with Care 🧤 Treat your encaustic mixed media painting with gentle hands. Always handle it with clean hands, and refrain from touching the surface of the artwork whenever possible. The wax surface can be sensitive to pressure and may leave fingerprints or dents if mishandled. Shield from Dust 🛡️ To maintain the beauty of your encaustic artwork, it's important to keep it free from dust and debris. Regularly dust the surface using a soft, lint-free cloth or a feather duster. Avoid using water or cleaning solutions, as they can damage the wax surface. Frame with Protection 🖼️ Framing your encaustic painting can add an elegant touch while offering additional protection. Choose a frame that complements the artwork and opt for UV-protective glass or acrylic to shield it from harmful ultraviolet rays, which can cause pigments to fade over time. Avoid Humidity 💦 Encaustic art can be sensitive to humidity levels. It is best to store your artwork in a relatively dry environment to prevent the wax surface from softening or attracting moisture. If you live in a humid area, consider using a dehumidifier to maintain the ideal conditions for your art. Transfer with Care🤞 If you need to transport your encaustic mixed media painting, take extra precautions to protect it during the journey. Cover the surface with acid-free glassine paper or parchment paper to prevent accidental contact with other objects. Wrap the artwork in bubble wrap or foam to provide cushioning during transportation. Avoid Stacking📚 If you have multiple encaustic artworks, avoid stacking them on top of each other. The wax surface can stick, leading to potential damage. Store your encaustic paintings vertically to prevent any accidents that could harm the delicate surface. Regular Inspection 🧐 Make it a habit to inspect your encaustic mixed media painting periodically. Look for any signs of damage, discoloration, or cracking. Early detection of issues allows you to address them promptly and seek professional conservation if necessary. By following these caring tips, you'll ensure your encaustic mixed media painting remains a cherished piece of art for generations to come. The love and attention you invest in caring for your artwork will undoubtedly be reflected in its timeless beauty and enduring allure. Enjoy the mesmerizing journey of encaustic art, and let your investment in creativity bring joy to your life and home!

Copyright is a fundamental aspect of the creative world that protects the intellectual property of artists, writers, musicians, and other creators. It grants exclusive rights to the creators over their original works, ensuring they have control over how their creations are used and distributed. In this blog post, we will explore what copyright is and dive into the concept of the "bundle of rights" that it bestows upon creators. What is Copyright? Copyright is a legal protection granted to creators of original works, giving them the exclusive right to reproduce, distribute, perform, display, and create derivative works based on their creations. It ensures that the creators have control over how their work is used and financially benefits from its exploitation. Copyright is automatic upon the creation of an original work in a tangible form, such as a written document, a painting, a photograph, a musical composition, or a digital file. The Bundle of Rights The term "bundle of rights" refers to the collection of exclusive rights that copyright provides to creators. This bundle encompases a set of distinct privileges that enable creators to regulate and monetize their works as they see fit. The bundle of rights includes the following key components: Reproductive Right: This grants the creator the exclusive authority to make copies of their work, whether in physical or digital form. It prevents others from reproducing the work without the creator's permission. Distribution Right: The distribution right empowers the creator to control the initial sale or distribution of their work. It ensures that the creator has a say in how their work reaches the public, such as through books sales, music downloads, or art exhibitions. Public Performance Right: This right allows the creator to control public performances or displays of their work. It is particularly relevant in the music and theatre industries, where artists receive compensation when their works are performed publicly. Public Display Rights: Similar to the public performance right, the public display right allows artists to control the public exhibition of their visual works, such as paintings, sculptures, or photographs. Derivative Work Right: Creators have the exclusive right to create new works based on their original creation, known as derivative works. This right protects artists from unauthorized adaptations or modifications of their work. Digital and Online Rights: With the advent of the digital age, copyright extends to digital and online use of creative works. This includes controlling the display, distribution, and reproduction of works on websites, social media platforms, and digital marketplaces. Copyright is a powerful tool that protects the creative endeavors of artists and ensures that their works are valued and respected. The bundle of rights that copyright confers grants creators control over their artistic expressions, allowing them to make informed decisions about how their works are used and disseminated. As artists, understanding copyright and its bundle of rights is essential for safeguarding your creative work, building a sustainable career, and fostering a vibrant creative environment.

In the realm of artistic expression, mixed media art stands as a versatile and dynamic genre that continually evolves with the changing times. As we navigate the creative landscape of today, it's fascinating to delve into the prevailing trends that shape and redefine the world of mixed media art. In this blog post, we'll take a closer look at some of the current trends that are capturing the imagination of artists and enthusiasts alike. Digital Integration and Mixed Realities In an era defined by technological innovation, artists are finding innovative ways to blend the physical and digital worlds. Current trends reveal a growing fascination with incorporating digital elements into traditional mixed media pieces. From augmented reality overlays to interactive installations, artists are embracing technology to offer viewers a multi-dimensional and immersive experience. Sustainability and Conscious Creation With environmental concerns taking center stage, mixed media artists are increasingly turning to sustainable practices. The use of recycled and repurposed materials is becoming more common, signaling a shift toward conscious creation. This trend not only echoes the call for environmental responsibility but also highlights the beauty that can emerge from discarded and forgotten materials. Take a wine bottle for instance turned into a sculpture of sorts. Personal Narratives and Identity Exploration Mixed media has always offered a unique platform for artists to tell their stories and explore their identities. Current trends continue to reflect this deeply personal aspect of the genre. Artists are infusing their work with intimate narratives and reflections on identity, pushing the boundaries of self-expression and connecting with audiences on a profound level. Texture as a Sensory Experience The tactile nature of mixed media art has always captivated viewers, and current trends suggest an increased focus on texture as a sensory experience. Artists are experimenting with a diverse range of materials and techniques, inviting audiences to engage with their work on a tactile level. The interplay of textures adds depth and complexity to the art, enhancing its visual and emotional impact. Cultural Fusion and Global Inspiration In a world characterized by interconnectedness, mixed media artists are drawing inspiration from diverse cultures and traditions. This trend is evident in the fusion of artistic styles, the incorporation of cultural motifs, and the celebration of heritage. The resulting artwork reflects a harmonious blend of artistic influences from around the world. Art as Commentary Mixed media art has a rich history of conveying social and political commentary. Current trends continue to embrace this tradition, with artists using their work to address contemporary issues, challenge norms, and spark important conversations. This trend underscores the power of art to provoke thought and incite change. Take for instance a piece of art that both is an expression of a culture of faith as well as sustainability, I.e. recycling of common household goods, called Kingdoms of the Earth. As we delve into the world of mixed media art, it's clear that the current trends are as diverse and dynamic as the artists themselves. From the seamless integration of technology to the conscious embrace of sustainability, each trend offers a unique lens through which artists can explore their creativity and engage with the world. By staying attuned to these trends, we can gain a deeper appreciation for the evolving nature of mixed media art and the ways in which it continues to captivate and inspire us all.

One day I recall thinking it was time to go from working on scrapbook layouts to the canvas. Artistic expression has taken various forms throughout history, with mixed media art and scrapbooking standing out as two captivating and complementary practices. Their combined histories reveal a fascinating journey of artistic innovation, personal storytelling, and creative exploration. In this blog post, together we shall delve into the origins, development, and intertwining paths of mixed media art and scrapbooking. The Emergence of Mixed Media Art: The seeds of mixed media art were sown in the early 20th century, during the Dada and Surrealist movements. Artists like Marcel Duchamp and Max Ernst experimented with found objects, collages, and unconventional materials. challenging traditional artistic norms. Their avant-garde approaches paved the way for future generations of artists to blend diverse mediums, transcending the boundaries of conventional art. Rebirth of Scrapbooking: Scrapbooking, on the other hand, traces its roots back centuries. In the 15th century, "commonplace books" were popular among European scholars, who used them to compile knowledge and mementos. During the 19th century, the practice of scrapbooking gained popularity as a way to preserve memories and memorabilia. Family photos to albums and personal scrapbooks became cherished possessions, allowing individuals to tel their stories through images and keepsakes. The Convergence Begins: The paths of mixed media art and scrapbooking started to converge in the mid-20th- century. Artists like Robert Rauschenberg and Jasper Johns brought elements of collage and mixed media into their works blurring the line between traditional painting and innovative experimentation. At the same time, scrapbookers began to incorporate artistic techniques and unconventional materials, such as textured papers, stamps, and ephemera, into their albums. The Rise of Modern Scrapbooking: During the 1980s and 1990s, scrapbooking experienced a renaissance with the establishment of dedicated stores, specialized tools, and crafting materials. The emergence of acid-free papers and archival-quality adhesives ensured that memories could be preserved for generations without deterioration. As the scrapbooking community expanded, so did the exploration of mixed media techniques within the craft. A Flourishing Partnership: The turn of the century saw a beautiful harmony between mixed media art and scrapbooking. Artists and scrapbookers alike embraced the freedom of combining various mediums, such as paint, ink, fabric, and digital elements. The artistry of scrapbooking elevated as it became more than just a hobby; it evolved into a means of artistic storytelling and creative expression. Digital Innovations: As technology advanced in the early 2000s, digital scrapbooking gained prominence, offering new ways to create and share memories online. Digital tools and software allowed for endless possibilities in design and layout, attracting a new generation of artists and scrapbookers who embraced the digital realm. The combined histories of mixed media art and scrapbooking reflect a captivating narrative of artistic evolution and human expression. From the experimental movements of the early 20th century to the modern digital era, both practices have undergone significant transformations. While mixed media art contiinues to challenge artistic conventions, scrapbooking remains a cherished way to preserve personal memories and tell heartfelt stories. The intertwining paths of these two creative practices demonstrate the boundless possibilities when imagination meets innovation, leaving an indelible mark on the world of art and personal keepsaking.

I titled the art below Watched Over. I made it and gave it to my grandfather before he passed. I think about that as so many changes have occurred for me and my husband and the rest of our family in the last few months. Support your art rather than expect your art to support you.... I recently read a post from someone titled "Your Life is More Important Than Art." The individual was a poet and writer but ended up walking away from their art form for awhile in order to pull themselves together. There is a saying. Life is what happens while we are making other plans. I guess in the end, the person realized that indeed her life was more important than art, but having some form of art back in her life helped enrich it. I think also I read a comment someone else made about art. Someone had asked how would they make a living from their art? To that the reply was something like "rather than ask of your art to support you, you should do what you can to support your art." Art has a reason to be whether or not you can use it to pay the bills. The monetary value of art is not in and of itself the value factor of it. Perhaps therein lies the ministry of art? So many times we think we are wasting our time cause the price tag isn't huge if at all. Imposter Syndrome.... I used to say when asked similar questions that I am an artist even if I had not sold one painting yet. One of the things we artists can find ourselves dealing with is a sense of being an imposter. We fear secretly that the value we see in our own art (and it is okay to see value in the things we do), is not seen as valued by others. Add to the art world the Christian and that brings on another value. In my personal summation of the history of the Church (as a whole) and the artist, it is my understanding that at some point the Church started viewing art as not a valuable asset or gift of the believer, not a "spiritual gift" to enhance the Kingdom of God helping to lead others to Jesus. A part of the schisms in history. At times I have felt that myself and occasionally wondered if the Lord was trying to take that away from me. These are my doubts, my fears which have shown themselves in nightmares in so many ways. Monsters in the dreams slowing me down, holding me back, running me off the road. I am one of those artists who have decided I do not want to run all over creation to sell my art, even if it's something to be in the marketplace. I have tried it a few times and it was enough to cause me to feel like I certainly wasn't ready or that it was the right fit. If I do it again, it won't be in the venue I experienced. Formal art classes? Sometimes I think maybe if I had understood early on that my path was of art, I may have taken some formal art classes or tried to get some kind of degree. But I wasn't aware. I saw what I did still as just a hobby. I struggled to stay in school and when I was in school I didn't feel like I belonged there. In fact I often found myself browsing the arts and crafts section of the college library. I have an AA in English after 15 years to get it and a BS in Management. It was supposed to be more than that, but the math scared me off. I think the goal at the time was to gain what knowledge I could to run my own business. At the same time I was building an informational site called Scrapbooking Ideas Inspired. I am sure those degrees have some worth, but they might have more if they were in the art field somehow. I am in an artist mentoring program now - paid the lifetime cost. Trying to be the thriving Christian artist instead of a struggling one. Lol. A LIfeline..... Art was a lifeline for me during my own dark night of the soul I experienced in 2014. I had sought and was receiving help for a year. It was out of that time I moved from someone who did the craft of scrapbooking to thinking of myself as a mixed media artist. While it is ideal for an artist to have their own workspace, I only did for a time. Like I said, life happens while you are making other plans. The call of art to me has become so strong, I find a way to do it eventually even though I don't have the ideal space, if any space, to do it in right now. Just today, as of this writing, I spent a couple hours on the back patio creating something, just to create. I call it Jungle Abstract. Since losing my day job that caused me fits trying to find time to do art, I find myself looking for work at home positions I hope will help support my art until the day comes my art will help support me. A lot of artists probably do have a day job while they make time for their art outside those hours. Create a job or just create? While I do believe there are creative people in my family, like most people, a creative life was not sought out, at least as a career choice or way of life. Someone once tried to discourage me from pursuing what they called a hobby as a career path. They said that I would come to hate it. I don't think they were right about that. But I would agree that there is much to learn in regard to making a business out of it. It is also an expensive hobby or can be. The artist life - what is it like? For some people its a successful venture, especially on a personal level. For others, it is a dream we struggle towards and hopefully we do not give up. We worry that the people we think follow us are not getting tired of our struggles. We wonder if people do care? Art does not always begin at the beginning of our career life. Sometimes it is in the middle and just an invisible thread just there. Sometimes its near the last leg of life. Or at least at the last leg of the lives of those closest to us. What is it really like? In the bigger picture it is a part of our lives, for our lives are more important than art. Creativity, the umbrella of the art page is in so much of our lives. Life itself is a creative, sometimes messy, piece of art. Make art and live art. Remember that the Creator watches over us.

As I have said before, I have had a thing for arts and crafts most of my life. In so many ways I have been encouraged by my folks in the world of creativity. Some of my first creative endeavors I have received as gifts were latch-hook kits, yarn for my crochet projects, and other various craft kits throughout. But as it turns out in so many ways is that I am not the only creative person in my family. This post is to talk about the creativity I have noticed and wish to acknowledge with a few different family members. My mother (Catherine) has shown her creativity in many ways. While we were children she often made our outfits. There was a lot of similarities yet beautifully different, whether a halter top and shorts to Sunday Easter dresses. She even made dresses for our Barbie dolls. Somewhere there are photos of some of those simple snap in the back doll dresses. When I was going through Home Economics in Intermediate School (7th or 8th grade), I learned a bit about sewing on my mom’s Sears sewing machine as well as the Bernina in school. I was making a pillow for my school class. One year she made us bunnies out of new mop heads. In my early high school years, she made several “prairie style” skirts for me. When there was something to dress up for, like going to the Renaissance with friends, she could help me put something together. In fact, the dresses we girls were wearing in a photo of all of us together is the similar style our dolls dresses looked like. . Another way I saw her creativity is in how she had been able to stretch a dollar. There were times in the 1970s and 1980s where when she went grocery shopping, it would be for about three hours or more. But that was to cover a whole month. She was planning meals a month at a time. Another individual I see as being creative or at least a bit into crafts is my dad. I remember how he liked to paint figures and did so usually around the holidays. Both my folks were also into macrame with different types of jute. Most of it used to hold the plants. My sister, Leah, is also creative. I have seen her work in how she can turn any living space into something beautiful. With her kids she has made cool costumes when they were small. I printed and cut out the Maleficent costume to work into my Mirror Mirror layout one year. She also did the decorations for our grandfather’s memorial service. I have an aunt (Mary) who is an artist herself. I have taken some tips from her on my artist journey. Things like how to protect your work once its done. She once made a painting for me with a butterfly and one of my favorite verses – “I will never leave you, nor forsake you.” Hebrews 13:5. I believe she also has done artwork onto surfaces of furniture to sell on consignment. I am also aware of a nephew of mine who has a poet’s bent though I have not seen his work. I have a similar bent myself. I am sure there is creativity in many more members whose names allude me right now. I came across poetry once by an older relative. Receiving certain objects and supplies from my relatives, I learned that my paternal grandmother kept a toolbox of paints. I still have that toolbox today and keep my own art supplies in it. Many times people can be an artist of one type or another and maybe its never known cause it wasn’t a practice considered seriously enough to become an income. So, it became a hobby. For some it stays a hobby while for others it becomes more. But I am sure that for every creative individual, there is probably a family filled with others in the same vein. As a creative, are you aware of the creatives in your family?

Mixed media art can be defined as "visual artwork in which more than one medium or material had been employed. Assemblages and collages are two common examples of art using different mediums using wet and dry materials such as cloth, paper, paint and wood. The larger umbrella of artforms this modern art form comes out of is called Contemporary Art. A History One might think that mixed media art would strictly be a modern art style or form. I certainly used to think that when I first stumbled upon it via tutorials on the internet, but, this artform does have a history that goes back even before the twentieth century. Little did I know that Pablo Picasso among others was considered a mixed media artist. In the early teens and twenties, that of his cubist collages, he created three specific pieces which fell into this area. Just as contemporary art is a larger umbrella where you can find the art mixed media categorized, mixed media art itself is actually a larger umbrella term to cover a handful of styles. With "Still Life with Chair Caning" in 1912 he pasted paper and oil cloth to canvas combining them with painted areas. In 1914 he created another piece, an assemblage called the "Glass of Absynthe" - a vertical piece of many disparate objects brought together. Another artwork in 1923 was "The Lovers" which he made using ink, watercolor paints and charcoal on paper. From before the twentieth century we have the Byzantine empire through the Renaissance that while not referred to as mixed media artists (330-1453 AD) often used gilded gold leaf on their paintings, mosaics, frescoes and manuscripts. Tempura, an ancient Egyptian medium, and oil paintings were popular. Vibrant skies and luminous halos on religious panels was captured through the application of gilded gold leaf. Today you can find videos on YouTube and you can learn and be inspired by tutorials of mixed media art from paper to canvas. One technique of mixed media is layering. A french word "echafouder (pronounced as-da-foo-dey) meaning "to build up." While I have a few pieces which are basically one medium, especially with encaustic artworks, almost all my work I call mixed media because I have carried the basic ideas of scrapbooking into pieces of artwork on the canvas which traditionally would have been used solely in pages. Basically when it comes to defining mixed media art, the sky is only as limited as the artist's imagination. Below are a few images of my scrapbooking pages and my artwork on canvas. So what do you have in your arts and crafts stash you could use to make your next masterpiece? Type in mixed media art or even scrapbooking mixed media and be inspired. Here I have Mirror Mirror, WhoRU?, Friends, and God Bless the Child from an earlier blog using scrapbook pages. And here I have Bethullah (Virgo), A Nation's Hope, Altogether Beautiful and Golgotha. Prints of my original artwork.

As I consider the culture around me and the things going on in the world; as one who is a follower of Jesus Christ and fully embraces what the Bible says about the end times and one who was taught with a Protestant viewpoint, I have been drawn to look closer, to study the life and thoughts of Hildegard of Bingen. I have often thought that leaders tend to mirror the thoughts and practices of a people. Very recently in this year 2022 a few issues including a very big one has been overturned in the Supreme Court (United States). While for those of us trying to hear and listen to God are happy about those and continue to fight for what is right – the true north as Justice Thomas called it, this is but a window of time and opportunity for salvation to come to those who will respond positively to the Holy Spirit and accept the sacrifice offered in their behalf through Jesus Christ. Hildegard was an abbess in the Catholic church in the twelfth century. It was only recently the Catholic Church put her in the spotlight, of course, with their spin on her writings. I say that as to me she would have disagreed with what others in the church have said about her. She lived before the Protestant Reformation as well as before the discovery of the Americas. Nonetheless, as an artist, I felt inspired to create a set of images trying to get a perspective on her Vision of the Five Beasts. This chapter is in her book called Scivias (meaning Know the Ways of God), the whole book of 26 visions. In book three, vision 11, Hildegard describes five symbolic animals as the forerunners of the Antichrist: a Fiery-Red Dog, Yellow Lion, Pale Horse, Black Pig, and Grey Wolf. She explains these represent individual and brief historical periods which follow each other in succession. Each one also reveals a particular evil afflicting society in each corresponding period. I also read through a portion of The Five Beasts of Hildegard by Reid Turner who helps explain from his research that these periods can fit into the early nineteenth to twentieth century and just beyond our present time. The century can be divided up into four eras. These are 1870-1914;1914-1945; 1945-1991; 1991 to the Present. Era of The Fiery Dog (1870-1914) 1870 brought the Franco-Prussian War which changed the map of Europe and started the secularization of Western Europe. Historians call this the age of Imperialism. European empires were at their most powerful or influential. From a societal perspective, though, it was more about exploitation of the working class. We have Karl Marx who tried to address this issue with his own viewpoint – that of communism. The Popes in the church at that time issued many warnings and condemnations. Hildegard herself said of this time: “One is like a dog, fiery but not burning; for that era will produce people with a biting temperament, who seem fiery in their own estimation, but do not burn with the justice of God.” Focus on the word “justice.” Fiery is understood as passionate, but not “on fire” because it is not the justice of God, but their own form of justice. Really it shows actually injustice – a social injustice. Injustices of the upper classes towards the working poor which would lead to communism. Era of The Yellow Lion (1914-1945) The yellow lion symbolizes what historians would call the age of catastrophe or the age of total war. This particular era was dominated by wars, genocides, military dictatorships, political prisons, and religious persecution, in particularly, Hitler and the persecution of the Jews. The question over this era is raised as to how these “Christian nations” of Europe allowed it to happen. Hildegard says of this era: “Another is like a yellow lion; for this era will endure martial people, who instigate wars but do not think of the righteousness of God in them; for those kingdoms will begin to weaken and tire, as the yellow color shows.” Kinda reminds me of the feet and toee of Daniel's interpretation of Nebechadnezzar's dream. Turner points out that “martial” or “war-mongering” describes the kind of people who were part of this era. Nationalism and Communism were considered two sides of the same coin. As this era came to a close, the fall of the Nazis and their allies proved to be one of self-delusion and cowardice. Era of the Pale Horse (1945-1991) These years are known as the Cold War era. On one hand you had many conflicts, proxy wars, and intrigue between two superpowers – think America and Soviet Union. Others were more interested in the sociological issues of the times. Those issues being student riots and unrest, assassinations, and the changing perspective on human sexuality. Two popular writings of this time were The Kinsey Reports (1948), and Humanae Vitae (1968) which reveal the dramatic changes in regard to sex. Hildegard’s description of the era is as follows: “Another is like a pale horse; for those times will produce people who drown themselves in sin, and in their licentious and swift moving pleasures neglect all virtuous activities. And then these kingdoms will lose their ruddy strength and grow pale with the fear of ruin, and their hearts will be broken.” The key word here is “licentious.” It means sexual debauchery. Contributing factors are artificial birth control, changing the purpose of sex largely from procreation to pleasure, the 1980s exploding with statistics of abortion, divorce, single parent families, suicide, STDs, as well as AIDS, as this era came to an end. Era of the Black Pig and the United States….(1991-Present) *Present if I consider when the book was published would have been 2014 by Reid Turner. It is possible that historians will call what is today the present era “the age of globalization.” Dominating themes are free trade, elimination of borders, and for much of Europe, a common market, passport, and currency. This title also suits the continuing migration of millions to Europe from the Middle East and Africa. Hildegard specifically refers to the era’s leaders. The generation of leaders since the 1990s have not been, generally, the same type of people as their predecessors. According to Turner, “Today’s leaders are more pro-abortion and pro-homosexual marriage, imposing many laws, like Obergefell vs Hodges, that are contrary to Christian teaching. Hidegard writes: [This epoch will have leaders who blacken themselves in misery and wallow in the mud of impurity. They will infringe the divine law by fornication and other like evils and will plot to diverge from the holiness of God’s commands.” Political correctness, gender theory, homosexuality, race, etc., gradually become more radicalized in the higher educational system – colleges through the 70s and 80s, so have our present leaders who were educated in those times. Examples are Clinton, Blair, Obama, Trudeau, Cameron, Holland, and Merkel and those serving them that further the cause of political correctness, the goals of which “infringe the divine law.’ Historian Paul Johnson had described it in terms of social engineering and referred to it as “the salient evil of our time.” What is that evil? Greed. Power and money. As one minister put it well recently, regarding abortion and the government – Dead babies is big business.” I first took an interest in Hildegard of Bingen when in a podcast I listened to used what she said with a twist I believe in her stories. It lead me to find her “800 year old prophecy” which is actually closer to 1000 years now. At that time she records a prophetic vision: “Before the comet comes, many nations, the good excepted, will be scoured with want and famine. The great nation in the ocean that is inhabited by people of different tribes and descent by an earthquake, storm and tidal waves will be devastated. It will be divided, and in great part submerged. That nation will also have many misfortunes at sea, and lose its colonies in the east through a Tiger and a Lion. The comet by its tremendous pressure, will force much out of the ocean and flood many countries, causing much want and many plagues. All coastal cities will be fearful and many of them will be destroyed by tidal waves, and most living creatures will be killed and even those who escape will die from a horrible disease. For in none of these cities does anyone live according to the law of God.” This vision of hers could be something that happens during the era of the grey wolf or during the Tribulation time. I think that as she says “for the good excepted,’ could mean the rapture of the Church? I don’t know. There have been some who think this event could happen before the expected rapture. As I may have said, there are many others to have had strange visions regarding end times events. Following is one story of a minister who shares the vision he had and that I feel may fall within what has been shared from Hildegard’s point of view. In an article or post I came across called “The Destruction of America: Whether by Nuclear War, Invasion from Russia or China, Earthquakes, Volcanoes, Wormwood, or Tsunamis, dated May 11, 2019 by Jay Watkins, is shared a vision by Romanian Pastor Domitru Duduman April 22, 1996. Following is a construct of Dumitru’s vision: Pastor Dumitru had just gone to bed and was still awake when he heard the sound of a trumpet and voice cried out to him to stand. In his vision, he was in America. Looking for the one who had spoken to him, he saw three men dressed alike. Two of the men carried weapons. One of the armed men tells him “I woke you to show you what is to come. Come with me.” “A pair of binoculars was handed to me, and I was told to look through them. “Stand there, don’t move, and look,” he continued. “You will see what they are saying, and what they are preparing for America.” “As I was looking, I saw a great light. A dark cloud appeared over it. I saw the President of Russia, a short, chubby man, who said he was the president of China, and two others. The last two also said where they were from, but I did not understand. However, I gathered that they were part of Russian controlled territory. The men stepped out of the cloud. The Russian president began to speak to the Chinese one. “I will give you the land with all the people, but you must free Taiwan of all the Americans. Do not fear, we will attack them from behind.” A voice said to me, “Watch where the Russians penetrate America.” I saw these words being written: Alaska; Minnesota; Florida. Then the man spoke again. “When America goes to war with China, the Russians will strike without warning.” The other two presidents spoke, “We too will fight for you.” Each had a place already planned as a point of attack. All of them shook hands and hugged. Then they all signed a contract. One of them said, “We’re sure that Korea and Cuba will be on our side too. Without a doubt, together we can destroy America.” The president of Russia began to speak insistently, “Why let ourselves be lead by the Americans? Why not rule the world ourselves? They have to be kicked out of Europe, too! Then I could do as I please with Europe! Says the man standing beside Dumitru “This is what you saw: they act as friends, and they say they respect the treaties made together. But everything I have shown you is how it will really happen. You must tell them what is being planned against America. Then, when it comes to pass, the people will remember the words the Lord has spoken.” “Who are you?” I asked. “I am the protector of America. America’s sin has reached God. He will allow this destruction, for He can no longer stand such wickedness. God, however, still has people who worship Him with a clean heart, as they do His work. He has prepared a heavenly army to save these people.” “As I looked, a great army, well armed and dressed in white, appeared before me. Do you see that?” that man asked. “This army will go to battle to save My chosen ones. Then, the difference between the godly and the ungodly will be evident.” Again, there are David Wilkerson’s 1973 visions of five calamities coming to America and the World. In whatever scenario and time frame these events occur, it seems very likely they are going to happen. God does not do anything without providing a warning. We have at least an 800 year old warning through Hildegard. Another one through Dumitru. Don Stewart who has talked about 25 signs we are in the tail end of End Times, also brings up the idea that in a number of ways, America is likely to be taken out of the bigger picture. I believe the reasoning he gave was that America (among her many other sins) has gone about trying to hurt Israel and therefore will end up disappearing from history just as the five earlier nations (Ammonites, Edomites, Moabites, Philistines, and Amalekites). Sign 2 – As their enemies have done to Israel so God will do to them.” Jonathan Cahn, a Messianic Rabbi, who sees paradigms between Ancient Israel and America, points out that the attacks of Nine Eleven in 2001 was the first breach and passing of judgement and warning to America. You can read more about his theories in The Harbinger and Harbinger 2. Era of The Grey Wolf (Near future…) Near future or closer than ever before…. Hildegard goes into far more detail with the Grey Wolf than the other eras. Essentially three main things will define this era. · Civil unrest and revolutions with their cause being economic inequality. · Persecution of the Church by a specific group of people. · A powerful, spiritual revival within the Church She adds that it is when the Church will be ‘replete with the full number of her children. The Churches mission will have been completed.” “And the last is like a gray wolf. For those times will have people who plunder each other, robbing the powerful and the fortunate; and in these conflicts they will show themselves to be neither black nor white, but gray in their cunning. And they will divide and conquer the rulers of these realms; and then the time will come when many will be ensnared, and the error of errors will rise from Hell to Heaven. And then the children of light will be pressed in the winepress of martyrdom; and they will not deny the Son of God, but reject the son of perdition who tries to do his will with the Devil’s arts. “And these beasts are facing the West, for these fleeting times will vanish with the setting sun. For people rise and set like the sun, and some are born and some die.” –Hildegard of Bingen There are some who think we have begun to enter this last era. These are unprecedented times.

Title of this artwork is Son of Man. It was originally an encaustic piece but then changed to acrylic. It is an abstract in remembrance of Christ's sacrifice for us. The following are some thoughts that came to mind around the title by which Jesus referred to himself. Son of Man, a title Jesus used often to refer to himself over any other titles. There are a few reasons for why the Son of Man holds so much meaning. In the following paragraphs we will take a look at the wonder of this title, this name Jesus took for himself. Taking a step back to the Old Testament, we find that the term Son of Man is mentioned in at least three books: The Psalms, Ezekiel, and Daniel. In Psalm 80: 14-19, it is written, "Return to us, God Almighty! Look down from heaven and see! Watch over this vine, the root your right hand has planted, the son you have raised up for yourself. Your vine is cut down, it is burned with fire, at your rebuke, your people perish. Let your hand rest on the man at your right hand, the son of man you have raised up for yourself. Then we will not turn away from you; revive us, and we will call upon your name. Restore us, Lord God, make your face shine on us, that we may be saved." In the book of Ezekiel, the term son of man is used 93 times, in this instance as reference to Ezekiel himself. Later in Daniel, we see that son of man takes on an even greater meaning. Daniel has a vision: "I saw in the night, visions, and behold with the clouds of heaven there came one like a son of man, and he came to the Ancient of Days and was presented before him. And to him was given dominion, glory and a kingdom, and all the peoples, nations, and languages should serve him; his dominion is an everlasting dominion, which shall not pass away, and his kingdom one that shall not be destroyed." (Daniel 7:13-14). There are many many verses in the New Testament likewise about Jesus reference to the Son of Man regarding himself. The one I will focus on here is Matthew 20:28. "Just as the Son of Man did not come to be served, but to serve, and to give his life a ransom for many." Jesus was humble. His was not a life of luxury. He was a carpenter and a teacher. And his teachings consistently connected with humanity and love for others. It has also been noted he served others much like a son serves his family. He showed his disciples time and again a life of a servant over being served as an example. Most importantly, Jesus purpose was to fulfill the will of the Father and that will was for Jesus to serve people in order to be the bridge to the Father, that by way of the Cross. In the culture of the time, to those who understood it, the use of the name Son of Man could be interpreted as The Messiah. It has been remarked that had Jesus openly called himself their Messiah, it could have lead to his crucifixion much sooner. And he did in fact warn the disciples at that time to not tell anyone he was in fact the Messiah. .So why does any of it matter? There are a list of reasons, but the main one is that since he is for us, and is now seated at the right hand of the power of God, this means we have a way to connect with God the Father and we can also make a difference in this world we live in because of Christ. Now remember I mentioned that Jesus was humble. He came in the name of his Father. Everything he did was according to his Father's will. In contrast there is one coming called the Antichrist. Anti here means instead of or in place of. The Antichrist will come in his own name. The Antichrist cares nothing about others, about humanity. We can see the spirit of Antichrist today in the way people are treated. The Antichrist has no humility though he will be a man. Be warned!! Understand who Jesus was and is today and will be in the future. He is the Prince of Peace. He died so that there could be peace between us and the Father. He is the way, the truth and the life. If you made it this far, thank you for your time and may your day be a blessed one. Peace, Sharon